Photo 20 May 18 notes
via .
Photo 18 May 11 notes backfromcamden:

66 Behind the Scenes Pics from THE EMPIRE STRIKES BACK
Video 17 May 409 notes

art-of-swords:

Gilded Pappenheimer Rapier

  • Dated: 1630

The elegant symmetrical hilt is fashioned of forged rectangular-section iron bars showing lamination and featuring horizontally recurved quillons with small button finials.

Emanating from the quillons are a series of interconnected looping bars, enclosing an integral round plate on each side pierced with holes framed by an incised double diamond. The sword has a faceted pear-shaped pommel with button.

The grip features two sizes of twisted iron wire and turk’s heads top and bottom. Diamond-section 38” Spanish blade deeply stamped with a different mark on each side of the ricasso. 

Source & Copyright: Antique Weapon Store

Photo 16 May 9 notes miscellaneous-art:

Republican Poster from the Spanish Civil War (1936-1939)

miscellaneous-art:

Republican Poster from the Spanish Civil War (1936-1939)

Photo 16 May 287 notes art-of-swords:

Left-Handed Dagger (Main Gauche)
Dated: 1650
Culture: Spanish or Italian (Neapolitan)
Medium: steel, pierced and chiseled
Measurements: Overall - h:57.20 cm (h:22 1/2 inches) Wt: .50 kg; Blade - l:44.40 cm (l:17 7/16 inches); Quillions - w:25.40 cm (w:10 inches)
Daggers, like the one displayed here, have been misleadingly called “left-handed daggers” even though they could be held in either hand. The guard is richly decorated with chiseled and pierced arabesques.

Source: © 2012 Cleveland Museum of Art

art-of-swords:

Left-Handed Dagger (Main Gauche)

  • Dated: 1650
  • Culture: Spanish or Italian (Neapolitan)
  • Medium: steel, pierced and chiseled
  • Measurements: Overall - h:57.20 cm (h:22 1/2 inches) Wt: .50 kg; Blade - l:44.40 cm (l:17 7/16 inches); Quillions - w:25.40 cm (w:10 inches)

Daggers, like the one displayed here, have been misleadingly called “left-handed daggers” even though they could be held in either hand. The guard is richly decorated with chiseled and pierced arabesques.

Source: © 2012 Cleveland Museum of Art

Video 16 May 22,950 notes

neil-gaiman:

butcherbilly:

The Post-Punk / New Wave Super Friends by Butcher Billy

Who are your heroes?

Reblogged purely to make Amanda smile.

I want all of these

Video 16 May 571 notes

art-of-swords:

Swept-hilt Rapier

  • Text by Tobias Capwell 
  • Sword dating: circa 1605 - 1615
  • Culture: Hilt ~ England; blade ~ Germany
  • Medium: Steel, gold, silver and wood, blackened, encrusted, and damascened
  • Measurements: Length: 114 cm, blade; width: 3.3 cm, blade, above the ricasso; weight: 1.29 kg; length: 130.6 cm, width: 17.3 cm, guard; balance point: 15.6 cm, forward of the guard block
  • Inscription: ‘·SANDRINVS · SCACCHVS·’

An exceptionally rare example of Jacobean swordsmithing, this beautiful sword was as much a fashion statement as it was a lethal weapon. Distinct in style from the work of the larger Italian and German sword producing centres, this robust yet refined piece exemplifies English taste, combining a strong construction with delicate gold and silver ornament. Before Sir Richard Wallace acquired this rapier, it was in the collection of William Meyrick, the cousin and heir to the great arms and armour scholar Sir Samuel Rush Meyrick (1786-1848).

In 1861 William Meyrick stated that the hilt and pommel of this sword had been ‘recently dug up at Saffron Walden’ in Essex. The pieces were cleaned and possibly to some extent restored and a ‘suitable blade’ added to reform the fragments into a complete weapon. Though in part restored, this fine rapier remains an important example of the type of sword fashionable at the court of King James I.

A number of features mark this piece out as being English work of a high quality, rather than the product of one of the great Italian or German workshops. The very large pear-shaped pommel is typical of English swords of this period. The rounded qualities of this sword are further emphasised by the oval terminals located on the ends of the cross-guard and forward-guard, and placed centrally on the knuckle-bow and loopguard. The decoration is also distinctively English, the rich silver encrusting being found on a number of comparable English swords, including that of Henry Frederick, Prince of Wales (1594-1612), the son of King James I.

The encrusting on this sword takes the typical form of masks surrounded with feathers and foliage, while lines of silver beads form panels along the bars of the hilt and surrounding surface of the pommel. These panels are filled with very fine gold foliate scrolls. These are false-damascened; the surface is roughened or cross-hatched and covered with gold foil or wire. The style of these scrolls is closely comparable to the decoration found on knives of the period bearing London cutlers’ marks.

Source: © Trustees of the Wallace Collection 2008

Photo 15 May 9 notes andrewhutchinson:

Helga Viking Lens, Ina’s 1969 Film, No Flash, Taken with Hipstamatic

andrewhutchinson:

Helga Viking Lens, Ina’s 1969 Film, No Flash, Taken with Hipstamatic

Photo 15 May 9 notes andrewhutchinson:

Lucas AB2 Lens, Blanko Noir Film, No Flash, Taken with Hipstamatic

andrewhutchinson:

Lucas AB2 Lens, Blanko Noir Film, No Flash, Taken with Hipstamatic

Photo 15 May 6 notes San Francisco 2011
Iphone

San Francisco 2011

Iphone


Design crafted by Prashanth Kamalakanthan. Powered by Tumblr.